Basilica di Santa Maria sopra Minerva (Basilica of Saint Mary above Minerva), Rome

Tucked away just behind the Pantheon in Minerva Square, Santa Maria above Minerva is a Dominican church and a hidden gem of both religious and artistic importance. In ancient times, there were three temples in this area respectively dedicated to the Egyptian goddess Isis, the Graeco-Egyptian deity Serapis, and the Roman goddess Minerva. The current basilica's name is attributed to the latter.

The church represents a rare example of Gothic architecture in Rome, as most medieval churches were modified with Baroque designs. Its restrained Renaissance façade contrasts with a Neo-Gothic interior featuring blue, star-studded vaulting and red ribbing. The several stained-glass roundels, including one depicting Mary surrounded by saints, are rightfully considered to be the finest examples of stained glass in all of the city.

The building, commenced by the Dominicans in 1280, was inspired by Santa Maria Novella in Florence. Pope Zachary initially Christianized the area in the 8th century, followed by the construction of a Gothic church under Pope Alexander IV. The site underwent multiple renovations, including Baroque modifications and 19th-century Neo-Gothic restorations.

As the former Dominican order's headquarters, Santa Maria above Minerva boasts remarkable artistic treasures. Michelangelo’s Christ the Redeemer sculpture and the frescoes in the Carafa Chapel, commissioned by Cardinal Oliviero Carafa, highlight its artistic value.

Michelangelo’s sculpture is found to the left of the main altar and is the second version thereof. The first version, begun in 1515, was abandoned due to a flaw in the marble. The one we see today received acclaim for its artistry, particularly its lifelike knees. Originally, Michelangelo depicted Christ unclothed to symbolize his triumph over sin, however, a bronze loincloth was added in 1546.

Inside the church, there is a chapel honoring Saint Thomas Aquinas with scenes of Marian devotion and depictions of Saint Thomas's glory. Other notable chapels include that of the Rosary, the Aldobrandini Chapel with Pope Clement VIII’s parents' tomb, and the Chapel of Raymond of Penyafort, featuring frescoes by Italian Renaissance painter and architect Melozzo da Forlì.

The church is also a resting place for several historical figures. One such is Saint Catherine of Siena (except for her head, which is held in Siena). Her tomb is a focal point, and the room where she died was reconstructed here in 1637. Renaissance artist Fra Angelico is buried here, too, alongside the Medici Popes Leo X and Clement VII. Other notable burials include Popes Urban VII and Paul IV, philosopher George of Trebizond, and architect Filarete.