Chiesa di Santa Maria Maggiore (Church of Saint Mary Major), Florence

Originally constructed in the 11th century, Florence's Santa Maria Maggiore may not possess the same grandeur as other churches in Florence, but it is undeniably beautiful. In the 13th century, it underwent extensive Gothic-style renovations to its facade and sides; however, the exterior retains a relatively plain appearance, characterized by stone walls and portals crowned with tympani. The bell tower, a remnant of the Romanesque structure, still stands, albeit reduced in height. Interestingly, it features a mysterious carving of a woman's head – popularly known as "Berta" – embedded in its walls.

The interior, restored in the 17th century, is simple with a nave and two aisles, ogival arches and groin vaults. Artworks include frescoes by Bernardino Poccetti, a Nativity by Matteo Rosselli, and, above the altar of the left transept chapel, a polychromed stucco relief panel, the Madonna del Carmelo, long attributed to the 13th-century artist, Coppo di Marcovaldo. If you need a place to rest and/or pray peacefully, this off-tourist-path church is the right place in Florence.

The interior, restored in the 17th century, showcases a simple layout with a nave, two aisles, ogival arches, and groin vaults. Noteworthy artworks include frescoes by Bernardino Poccetti, a Nativity painting by Matteo Rosselli, and a polychromed stucco relief panel, and the Madonna del Carmelo, positioned above the altar in the left transept chapel. For those seeking a tranquil space to rest or pray away from the tourist crowds, this off-the-beaten-path church in Florence provides a serene sanctuary.

***DANTE'S FLORENCE TOUR***
Within the church's chapel, take a moment to find the tomb of the renowned scholar and philosopher Brunetto Latini, who once served as Dante's mentor and introduced him to the writings of ancient authors. Latini was also a prominent figure in Florentine politics, serving as an influential role model for the aspiring poet, who was deeply engaged with the political life of his city. Dante certainly admired his teacher and held him in high esteem, though in his "Divine Comedy", for some unclear reason, he sticks Latini in the seventh circle of Hell, among the sodomites.